Every year around this time, I ask myself the same question:
Why am I doing this again?
I don’t need to teach a photography class.
I’m not doing it to sell gear, pad a résumé, or convince anyone I’ve “made it.”
I do it because every time I walk through Ulsan with a camera, I’m reminded how much beauty people walk past without ever seeing.

This will be the fourth consecutive year I’ve taught photography at the Ulsan Support Center for Foreign Residents, and somehow it still feels necessary.
Because photography, at its core, isn’t about cameras.
It’s about attention.
Most people already have everything they need sitting in their pocket. The problem isn’t equipment — it’s that we’re moving too fast, scrolling too much, and rarely slowing down long enough to look.
This class exists to fix that.
This Is Not a Gear Class
Let’s get this out of the way early.

If you want to argue about lenses, specs, or whether full-frame is “worth it,” this isn’t that class. I don’t fetishize equipment. My camera is a tool. Same as yours.
What I care about is whether you understand:
- light
- timing
- framing
- intention
Whether you’re shooting on a phone, film, or a mirrorless camera that costs more than your rent — the fundamentals don’t change.
This class is about learning how to use what you already have and stop outsourcing your creative confidence to technology.

How the Class Actually Works
We meet weekly.
We learn something specific each time — not everything, just one thing done well.
Then you leave.
You walk.
You shoot.
You pay attention.

Each week, students get a photo mission. Not homework in the academic sense — more like an excuse to go outside, slow down, and try something intentionally.
You send me your photos.
I respond with personalized feedback — what’s working, what’s not, and what to focus on next.
Not public shaming.
Not vague encouragement.
Actual, usable feedback.
This part matters. Most people never get it.
The Exhibition: A Real Ending
At the end of the course, we don’t just clap politely and disappear.
We hold a public exhibition at the Ulsan Culture & Art Center.
No extra cost. No upsell. No gimmicks.
For beginners, it’s often the first time they see their work treated seriously.
For more experienced photographers, it’s a chance to show work publicly and remind themselves why they started.
You walk into a gallery.
You see your photo on the wall.
That changes something.
Real prints.
Professionally framed.
Mounted on the wall.
Why I Keep Coming Back to This
Over the years, I’ve taught people of different ages, cultures, and backgrounds. People who would never have met otherwise.
They share ideas. Stories. Sometimes food.
They learn the city — and each other — a little better.
That’s the part that keeps me coming back.
This class isn’t about mastery.
It’s about presence.
About slowing down in a city that moves fast.
About noticing things that don’t scream for attention.
About building a small, temporary community around seeing.
If This Sounds Like You
If you already know how to use your camera but feel stuck — this will help.
If you’re new and intimidated — you’ll be fine.
If you want structure, feedback, and a reason to get out and shoot — this is it.
The class begins Saturday, March 7, from 10:00–12:00, at the Ulsan Support Center for Foreign Residents.
If you’re interested, contact the center directly:
📩 ulsansc@naver.com
No hype.
No pressure.
Just a chance to see the city a little differently.
And sometimes, that’s enough.



Photographing the Dragon King Ceremony at Haedong Yonggungsa
Why I Keep Teaching This Photography Class (And Why You Should Probably Take It)
Winter, Grief, and the Weight of a Camera